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1990 Black Gold Festival

Sawyer Brown headlined the 1990 Black Gold Festival over newcomer - Garth Brooks. The Main Street concerts always brought the feel of Marti Gras to Hazard with wall to wall people, something that has been lost in recent years when the shows were moved to Memorial Gym. A big screen television was placed down the street for those who couldn't get close enough to the concert. Although Garth Brooks has since passed Sawyer Brown as a Country superstar, Sawyer Brown's 14 albums in 13 years, six with sales over a half-million speak for themselves. 18 Top 5 singles, including eight No. 1's; the Top Vocal Group honor from the Academy of Country Music Awards, five consecutive Top Vocal Band trophies from the fan-voted TNN/Music City News Country Awards, three Top Video Group prizes from Country Music Television and numerous CMA, Grammy, ACM, and American Music Award nominations, not to mention an unprecedented 28 hit music videos and certification as 1994's top grossing country group. But that's not the most impressive part of the picture, for behind the mind-boggling resume stand five men with a genuine love for fans, friends and family rivaled only by their passion for the music they make. Family, in fact, is a cornerstone of Sawyer Brown's staying power. Eight of Mark's relatives hold important positions in the band's organization, as well as other of Mark's business interests. Four of the five band members are married men and fathers, all of which gives the group a firm foundation and maturity that's an inseparable part of Sawyer Brown's philosophy and music. That balance of seriousness and lightheartedness is written all over Six Days On The Road, and is one of Sawyer's most endearing and exciting qualities. The album's title number rocks with an authority never fully realized in the song's previous incarnations. And though it's a paean to the pride in tackling a difficult job, it still overflows with the jubilation of people who love what they do. Akey ingredient in the Sawyer Brown sound and success is writer, singer, instrumentalist and co-producer Mac McAnally. Long revered as one of contemporary music's great, multifaceted talents, Mac approaches his co-production of Sawyer Brown as what he terms a "vicarious sixth member." Mark adds that the familial togetherness fostered by years on the road also invariably finds its way into Sawyer Brown's music. "We crawl on a bus or a plane together," Mark explains. "We stay in hotel rooms together. We eat together and we record together. It's a lot like being brothers, and that also has led to everyone having a sense of satisfaction about where they fit in the band." And while Mark has always been a dynamic showman fronting the band, he's quick to point out what each of his partners--Gregg "Hobie" Hubbard on keyboards and vocals, drummer Joe Smyth, bass man Jim Scholten and guitarist/multi-instrumentalist and vocalist Duncan Cameron--brings, both personally and creatively, to Sawyer Brown. "Hobie is absolutely brilliant and one of the easiest-going personalities in the world. He's the mediator and the guy who makes sure we all treat each other well. We co-write a lot. He has a really sensitive heart and that shows in his writing and it really touches a lot of people. "Duncan is a really excellent, hard-nosed guitar player. Whatever you need, he can give it to you. He's ready to take the ball when it's his turn, and he's a fine songwriter. He's also got a very big heart, even though he may not always want you to know that. Jim, I believe, is the best bass player in music today. He's an incredible musician and he has such a good spirit about him, he's the kind of guy you love to be around. "Joe has the most formal training of anybody in the band. He's got a degree from Berklee College of Music in Boston as well as a masters from Miami, but along with all his knowledge and chops, he's one of those guys who knows that all you really need to get to the heart is three chords and the truth." Even as Sawyer Brown's touring pace has slowed in recent years from frantic to merely very full, creatively the boys are cranking the gears harder than ever. "I feel like we still have more things to say," Mark concludes, "and I'd like to think we've got some experimenting and stretching musically still to do. I hope that never ends. I would like to think our albums are collections of great songs that are enjoyable and take you through a lot of different emotions. If there's a broader statement it is just that after all the years we're still here doing it. I hope I can be having conversations about our records another 15 years from now."

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